Overview

'Bajević is well-known in the art world since the '90s for the series of performances Women at Work (2001), as well as for her interest in collective identity, the unpacking tragedies through the personal experiences of their witnesses.

Maja Bajević (b. 1967 in Sarajevo, Bosnia-Herzegovina. Lives works in Paris, France) is an artist who takes a critical and witty approach to art in order to pinpoint dualities in human behaviour, in particular those involving power. The power of history is opposed to the power of choice and interpretation; collective memory to collective amnesia, objective accounts to subjective storytelling and imagination – as a construction in progress, fluid and unstable (the presence of scaffolding in her work is not fortuitous), whose shifts and derivations react to contradictory stimuli. Her work is about opening questions rather then giving answers, where every answered question opens a new territory with new brackets that give place to the unforeseen or the yet unspoken, in an never-ending continuum.

 

Since the mid-1990s, Bajevic has been working on a range of different issues, encompassing globalisation, inclusion/exclusion, exploitation, neo-liberalism and their reciprocal effects. At the same time, she repeatedly raises the issue of personal identity and homeland, and how these are constituted or “made impossible”. Bajevic’s work, ranges from video, installation, performance and sound to text, crafts, drawing, printmaking, machinery and photography.

 

Informed by the artist's own migratory life, previous works emphasised her interest in the contingent nature of political stability. Addressing themes like the abuse of power and religion, migration and marginalisation of the foreign, and the tension between local and global, her oeuvre can also be positioned within the tradition of art that performs a social, informative function and focuses on changing prevalent convictions.

 

Selected solo exhibitions include: Moderna Galerija, Ljubljana, Slovenia (2025), Centre Culturel Jean Cocteau, Les Lilas, France (2022), Migros Museum für Gegenwartskunst, Zurich (2017), The James Gallery, New York (2012),  DAAD Galerie, Berlin (2012) and Museo Nacional de Arte Reina Sofia, Madrid (2011). Selected group exhibition include: "Bounding Histories. Whispering Tales", Art Encounters Biennial, Timișoara,  Romania (2025); "We never Sleep", Schirn Kunsthalle, Frankfurt (2020); "Divided We Stand", Busan Biennale (2018), Haus der Kunst, Munich (2016); 56th Venice Biennial (2015) “Documenta 12”, Kassel, (2007). In 2017 Bajevic was shortlisted for the Prix Marcel Duchamp.

Selected works
  • Maja Bajević, An artist who has no country is no artist, 2024
    An artist who has no country is no artist, 2024
  • Maja Bajević, Je suis désolée, 2024
    Je suis désolée, 2024
  • Maja Bajević, Gap, 2024
    Gap, 2024
  • Maja Bajević, Facts and Figures, 2024
    Facts and Figures, 2024
  • Maja Bajević, Really?, 2022
    Really?, 2022
  • Maja Bajević, Ma seule pensée, 2022
    Ma seule pensée, 2022
  • Maja Bajević, we are all UNequal, 2022
    we are all UNequal, 2022
  • Maja Bajević, Arts, Crafts and Facts (Share of Income Earned by Top 1%, Labor Productivity, Growth), 2020
    Arts, Crafts and Facts (Share of Income Earned by Top 1%, Labor Productivity, Growth), 2020
  • Maja Bajević, How to Explain the World to the Martians (Cold War), 2017
    How to Explain the World to the Martians (Cold War), 2017
  • Maja Bajević, Liberté pour les libres, Egalité pour les égaux, Fraternité pour les frères, 2016
    Liberté pour les libres, Egalité pour les égaux, Fraternité pour les frères, 2016
  • Maja Bajević, Arts, Crafts and Facts, 2015
    Arts, Crafts and Facts, 2015
  • Maja Bajević, Art Has to Be National, 2012
    Art Has to Be National, 2012
  • Maja Bajević, Layers - D10D1109Castor03210, 2011
    Layers - D10D1109Castor03210, 2011
  • Maja Bajević, How do you want to be governed?, 2009
    How do you want to be governed?, 2009
  • Maja Bajević, ManKind V, 2003
    ManKind V, 2003
  • Maja Bajević, Women at Work - Washing Up, 2001
    Women at Work - Washing Up, 2001
  • Maja Bajević, Double - Bubble, 2001
    Double - Bubble, 2001
  • Maja Bajević, Dressed Up, 1999
    Dressed Up, 1999
  • Maja Bajević, Women at Work - Under Construction, 1999
    Women at Work - Under Construction, 1999
  • Maja Bajević, Here’s to looking at you, Kid, 1996
    Here’s to looking at you, Kid, 1996
Selected exhibitions
Video
Press
Publications
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