Overview

Galerie Peter Kilchmann is pleased to present the first solo exhibition in a German-speaking country with new works by the American Hernan Bas (born 1978 in Miami, momentarily works and lives in Detroit).

Paintings and drawings of different dimensions (from 244 cm x 275 cm to 30.5 cm x 23 cm) will be on view. For the first time, Hernan Bas will be presenting two photographic series. One series called A Bunch of Fairies consists of 13 black-and-white photographs relating to the book The Cottingley Photographs and Their Sequel by Edward Gardner, published in 1945: Towards the end of World War II, two young girls from Yorkshire produced a series of photographs in which they can be seen depicted together with fairies. Experts in the field of photography as well as spiritualists were very excited about finding out how these photographs had been created. This resulted in a controversial discussion lasting several years. Only on her deathbed did one of the girls confess that the works had been manipulated. Hernan Bas took his photographs in Ferney, a magical botanical garden in Detroit, being mainly fascinated by the narrative, the enigmatic and the unspoiled.
 
In his second photographic series called Plenty Of Fish In The Sea, Bas presents young boys playing in the sea with self-made shark fins; while diving, only the shark fins are visible and therefore the illusion of being confronted with real sharks is created. This series, as well, consists of black-and-white photographs. In general, the artist is interested in playing with schematic conventions such as genre and basic narrative tools. In this context, he might concentrate on the topic of isolation making use of the forms that are applied to convey that sentiment in contemporary romance literature and romantic literature of the 18th century. Through his work with subtle metaphors and historical forms, Hernan Bas manages to express a whole array of ideas or desires.
 
In the large-scale painting The Ornamental Hermit (244 cm x 275 cm), we can recognise a bourgeois country estate in the background. The foreground shows dead pheasants hanging from the branches and just beside, a young man is intent on killing another one, to bid farewell while being observed surreptitiously by another young man (as can be seen on the image on of the invitation card (detail)). In another large-scale painting called A Satanist On A Sunday, we can see a young man lying on a bed in a richly decorated room and absorbed in reading a book. It has been a while since Hernan Bas last painted interiors. Especially after moving from Miami to Detroit in 2009, he was instead fascinated by the northern landscapes he encountered.
Works
Perennial Affairs
June 11 - July 30, 2011
  • Hernan Bas, The dead line, 2011
    Hernan Bas
    The dead line, 2011
    Acrylic, airbrush, block print and screen print on linen
    244 x 275 cm (96.1 x 108.3 in.)
  • Hernan Bas, The hillsides must not know it, 2011
    Hernan Bas
    The hillsides must not know it, 2011
    Acrylic, airbrush and block print on linen
    183 x 213.5 cm (72.0 x 84.1 in.)
  • Hernan Bas, By noon it was clear, all tomorrows parties would be yesteryear, 2011
    Hernan Bas
    By noon it was clear, all tomorrows parties would be yesteryear, 2011
    Acrylic, airbrush and block print on linen
    213.5 x 183 cm (84.1 x 72.0 in.)
  • Hernan Bas, A Satanist on a Sunday, 2011
    Hernan Bas
    A Satanist on a Sunday, 2011
    Acrylic, airbrush and block print on linen
    213 x 185 cm (83.9 x 72.8 in.)
  • Hernan Bas, An unclear, "slowly" unfolding narrative, 2011
    Hernan Bas
    An unclear, "slowly" unfolding narrative, 2011
    Acrylic, airbrush, block print and screen print on linen
    213.5 x 185 cm (84.1 x 72.8 in.)
  • Hernan Bas, The ornamental hermit, 2011
    Hernan Bas
    The ornamental hermit, 2011
    Acrylic, airbrush, block print and screen print on linen
    image 244 x 275 cm (96.1 x 108.3 in.)
  • Hernan Bas, A homosexual whisper, 2011
    Hernan Bas
    A homosexual whisper, 2011
    Acrylic and graphite on mylar paper
    30.5 x 22.9 cm (12.0 x 9.0 in.)
    40.5 x 32.5 cm (15.9 x 12.8 in.), framed
  • Hernan Bas, The post-impressionist, what a shame..., 2008
    Hernan Bas
    The post-impressionist, what a shame..., 2008
    Acrylic on paper
    27.9 x 21.6 cm (11.0 x 8.5 in.)
    38 x 31 cm (15.0 x 12.2 in.), framed
  • Hernan Bas, Four boys downstream, 2005
    Hernan Bas
    Four boys downstream, 2005
    Acrylic on paper
    27.9 x 21.6 cm (11.0 x 8.5 in.)
    38 x 31 cm (15.0 x 12.2 in.), framed
  • Hernan Bas, Untitled No. 2 from the series "a bunch of fairies", 2011
    Hernan Bas
    Untitled No. 2 from the series "a bunch of fairies", 2011
    Gelatin silver print
    photograph: 12.7 x 10.16 cm
    passpartout and frame: 37 x 29.5 cm
    Ed. 2/3 + 2 AP
  • Hernan Bas, Untitled No.3 from the series "a bunch of fairies", 2011
    Hernan Bas
    Untitled No.3 from the series "a bunch of fairies", 2011
    Gelatin silver print
    photograph: 12.7 x 10.16 cm
    37 x 29.5 cm (14.6 x 11.6 in.), framed
    Ed. 2/3 + 2 AP
  • Hernan Bas, Untitled No.4 from the series "a bunch of fairies", 2011
    Hernan Bas
    Untitled No.4 from the series "a bunch of fairies", 2011
    Gelatin silver print
    12.7 x 10.16 cm (5.0 x 4.0 in.)
    37 x 29.5 cm (14.6 x 11.6 in.), framed
    Ed. 2/3 + 2 AP
Installation Views
Installation view, Hernan Bas: Perinnial affairs, Galerie Peter Kilchmann, Zurich, Switzerland, 2011, Photo: Sebastian Schaub